Category: Writing Process

Empowering Writers Through Picture Writing

Motivating students to put words on paper during writing instruction can be challenging. Teaching them prewriting skills and scaffolding the writing exercise can ease the reluctancy to write. One tool or writing method that I use on a regular basis is what I call picture reading and writing. This exercise takes some of the intrinsic and extrinsic pressure off students during the writing process. This exercise allows students to grow their confidence in their writing skills. This exercise assists students in developing the following skills: (a) synthesizing information, (b) observation, (c) listening, (d) inferencing, (e) about adjectives, (f) building and using their lexicon, (g) structured writing routine, (h) grammar usage, (i) collaboration, (j) recalling information, and (k) success in the writing process. This lesson is usually taught in a whole group setting, as this gives opportunity for modeling from students of higher writing skills. This also provides opportunity to provide a variety of scaffolds for struggling writers. This also provides opportunity for students who can orally write solid sentences to mentor and participate.

Before the lesson begins you will need to collect the following items: (a) an interesting or unusual picture about a current topic, (b) a place to write a list of words and a paragraph, (c) student journals or a piece of paper, (d) a way to project the picture, and (e) teacher and student writing utensils.

I begin with showing students an interesting picture and asking them to read the picture. What is the picture about? What can you tell is happening the picture? What might have just happened? What will happen next? Ask students to discuss what is happening or has happened or what this is a picture about. They might discuss the picture whole group or with their elbow partner.

After students have a good grasp of what the picture is about, I ask them to help create a list of adjectives that may help to describe the picture, like a brainstorm. I write their suggestions on anchor paper or the board for all students to see. This is a pre-writing skill that students may use while developing all genres of writing. All good writers take the time to “prepare” to write. Students develop/write the brainstorm in their journal. Students may copy my list and add some of their own words not mentioned yet. Students who are comfortable with the writing process will usually develop their own list. When students become perplexed with coming up with words to describe the picture, ask them questions about the picture that they may have missed. Questions like, what is happening in the background ? or why might she be smiling ? I have also added a word or two that might trigger other related words located in their personal dictionary to surface.

During the third step of picture writing, I/we discuss the features of a paragraph. I will go more in depth with my discussion each time we picture write, until they are more able to develop a paragraph on their own. A good paragraph will begin with a topic sentence. The topic sentence drives the rest of the paragraph. If students say the sky is blue, then the rest of the paragraph should be about the color of the sky. The length of the paragraph is dependent of the skill level of students present. In the primary grades I have students write a topic sentence, followed by three sentences related to the topic sentence, then a conclusion sentence. If students in the group that can handle more “middle” sentences, then I have them write more. For this exercise, I usually ask students to write descriptive sentences about the picture. In the past, I have also used this for creative writing, etc.

Step four is writing the paragraph. The first couple of times I orally demonstrate how students can use the class developed brainstorm list of words to develop a sentence. I lead them the first few times through this exercise, allowing them to take the lead as their confidence grows. Then, I usually give students a few minutes to begin composing sentences, either oral or written. After a few minutes I asked for topic sentence suggestions. Each student may compose a different paragraph or they can copy the class developed paragraph that I have written at the front of the room. I never write a paragraph, I take dictation. This allows all ability levels to participate in the writing process. During the writing phase there is opportunity to discuss punctuation, subject/verb agreement, if the sentence is related to the topic sentence, letter formation, paragraph formatting, etc. I usually use just one sentence from a student during a writing exercise. This allows for more students to participate in the class developed paragraph-sharing their voice. After we have three or four sentences, then I ask for a sentence to conclude the paragraph. You may have to make suggestions at first.

The last step is holding them accountable. I glance or read each paragraph to ensure that they have completed the task. I usually give them a star at the top of their paragraph. This task is about getting words on a paper. Most students should have at least the class developed paragraph. There might be exceptions for various reasons. Some may struggle with copying from the board. Some students may struggle with letter formation. Most students will add their own sentences, as they feel more confident in the writing process. I usually have students complete this task once a week.

I use this writing exercise for a variety of outcomes. One being just writing words and sentences on paper. The exercise helps them to build brain connections for writing words on paper. This exercise helps build brain connections for putting their thoughts on paper. This exercise helps to build brain connections for synthesizing pieces of information. The brain is a muscle that needs to be developed, strengthened, and used for writing on a regular basis. Like other muscles in the body the signals become stronger or weaker depending on the usage.

Picture writing allows all students to participate in the writing process.

 

Composing Written Words

Writing is an exercise that requires higher cognitive processing abilities. These skills take time to develop, as children need to first build the foundations or connections necessary to speak words and sentences. This skill begins to appear around age two when children are beginning to build their own oral sentences. Some children will begin earlier; some children will begin later. Student brain connections begin developing under the direction of their genetics gained at conception. They are listening and observing others to learn how different sounds convey meaning. The brain continues to build roads, highways, and by-ways according to their genetics and their environment. They will build the necessary connections to survive in their immediate environment under the direction of their genetics. This means making the connections to coordinate information between the necessary parts of the brain for speaking and writing language. This means developing connections to synthesize stored and new information. A child’s immediate environment will either increase or hinder their oral language growth. A child’s oral language ability usually dictates their reading and writing ability. There will be exceptions, like students with dyslexia.

Brain development occurs in a systematic or ordered fashion, like a flower growing from a seed. The flower grows systematically in stages. We can observe some stages of the flower’s development, while other stages are invisible or internal. Some flowers take longer to mature; other flowers are slower to mature. Writing skills are developed in a similar fashion. There are five stages that students move through while learning how to write (Voyager Sopris Learning, 2025). The first stage is pre-phonemic – scribbling/drawing, usually not legible. The second stage is early phonemic – begins to recognize and emulate letter shapes. The third stage is strings of random letters – able to write letters, writing nonsense words. The fourth stage invented/transitional spelling – encoding words, putting phonemes together based on the sounds of a word. The fifth stage is conventional writing and spelling – able to write coherent sentences and passages, often relying on their phonics knowledge. The growth is both seen and unseen.

Often student brain connections or routes have not developed enough for them to transfer their oral language to paper. Vygotsky (1934/2002) theorized that children first process and compose their verbal language aloud through others in their environment. At this stage of development individuals in the student’s environment are more likely to hear unfiltered verbiage, like he stinks or their shirt is dirty. At this stage their brain is relying on just one route of thought called interpsychological. Around ages 7-9 the student brain will begin using a second thought processing route that Vygotsky (1934/2002) referred to as intrapsychological or inner speech. Students compose their own thoughts without filtering them through their environment. They begin to individualize their thoughts relying more heavily own data bank of information instead of those in their environment. Students begin refraining from sharing their exact thoughts.

In the formal classroom, students are often shut down or not allowed to talk while independent writing is taking place. Most students in the primary grades need to express themselves orally before putting words on paper. Their brains have not moved from one processing route or verbally thinking to having two routes to process their thinking. Creating a writing environment that gives opportunity for a variety of different volume levels allows students to orally express and discuss composing their writing, and it gives an opportunity to focus on putting their oral composition onto to paper.

A student who seems to be lazy or unengaged is typically struggling to write words on paper. These students are still gaining the foundational writing skills in stages 1-3. They are building the necessary connections to write words on paper. These students are usually frustrated and feel degraded. They begin to navigate ways around the task.

If a student is struggling to verbally express a coherent sentence, then direct, explicit instruction in a small group needs to take place. You become their co-author. You become their sounding board. You become their scribe. The student should write the scribed sentence in their own handwriting. This helps students to build their handwriting connections to put words on paper. Small group instruction allows the instructor to work with students more at their zone of proximal development. When students are ready for this instruction with the assistance of someone of higher cognitive processing. They will likely be stuck for some time without your assistance. This is also a form of scaffolding.

References

Voyager Sopris Learning (2025). What are the stages of writing development? Voyager Sopris Learning. https://www.voyagersopris.com/vs/blog/stages-of-writing-development.

Vygotsky, L. (1934/2002). Thought and Language. MIT Press.

The Necessary Components of Learning How to Spelling

Writing is often hard for students. Writing in general requires a higher level of cognitive skills. Writing requires students to synthesize known information. This is easier to accomplish orally. Individuals often speak (especially young children) at a higher cognitive level than they can write. Oral language is usually developed naturally through one’s environment, whereas writing words on paper requires instruction. Students often orally convey their thoughts in fragments, whereas most thoughts on paper must be put into complete sentences. One piece of the writing pie is correctly spelling or encoding words on paper. Students will often use lower-level words that they might be able to spell correctly. Students who struggle in spelling words correctly usually avoid writing words on paper. This is when creative instruction needs to be brought in play.

English is not a transparent language; it has stable rules and many exceptions to those stable rules. In transparent languages like, Finish or Italian the graphemes and phonemes are more consistent, with little expectations of the graphemes changing sounds within words. English is derived from multiple languages. Most American English words are derived from Latin, Greek, and Anglo-Saxon languages. These languages have stable rules that can be learned through studying letter-sound correspondences, syllable patterns and morpheme patterns. When a student knows where the word is derived from and the “rules” of that language assist in spelling the word accurately.  Webster brought more constancy in how we spell American English, while he creating the first instructional spelling books in the early 1800s.

Spelling requires students to know about phonology, orthography, and morphology to correctly encode a word. Phonology is the study of the sounds of letters that develop words. Students need to know the one-on-one grapheme-phoneme correspondences of the 26 letters in the English alphabet. During the study of phonology students begin learning how each letter may change its sound depending upon where the letter is placed in a word. Students should know these norms by Grade 2. They will use this information throughout their lifetime.

Orthography is the “rules” of how words are spelled within a language. The rules dictate if a letter will remain a one-on-one correspondence or change based on other letters within a word. Orthography is the visual representation or graphemes that represent words spoken orally. Students should have background knowledge of the “norms” of how letter placement creates the sounds of words. Orthographic knowledge increases student lexicon, which increases student reading fluency.

Morphology is the study of the meaning of the smaller parts of words, such as re- meaning again and -ing meaning an action. These different parts usually dictate its meaning. Students need to know the meaning of how something is spelled as American English has many words that are spelled differently, but sound the same (homophones).

Phonology, orthography, and morphology should be taught simultaneously. Phonemic awareness or oral language ability is the prerequisite in which these vital elements of learning how to decode and encode words is built upon. Some students will need to review some or all of the parts of phonemic awareness to effectively learn how to decode and encode words. Decoding is an easier skill for most students to grasp and use, than encoding words. Each of these components of learning how to spell words correctly increases with complexity as students mature. Teaching lessons about semantics along with lessons of morphology, usually increases student ability to effectively spell words that convey a more accurate meaning. These components are part of the Structured Literacy Method of effectively teaching students how to read and write.

References

Redding, Nancy. (2023). The Importance of Spelling Instruction. Presentation International Dyslexia Conference (IDA).

Rosenberg, Dee. (2023). The Forgotten Skills Needed for Literacy Success: Spelling and Handwriting. Presentation International Dyslexia Conference (IDA), Wilson Language Training.

 

 

 

Book Reading Activities

COVID-19 temporarily changed how we live our daily lives, in particular how we educate our youth.  Most schools have gone to a “long-distant”, digital format to continue providing instruction and practice for students to continue their formal education.  Students have more time to read and should be making this a top priority.  This is one of the most important educational practices a student can do during this time.  Students should be reading novels or books that have longer story lines.  Students should be reading books closer to their reading ability.  Many educational sites are offering free downloads of novels for students to read.  Most school sites also have books that can be downloaded or read on-line.  Students who are not used to reading written words on electronic devices may struggle at reading and processing the written words.  So, this may make the process of reading and comprehending written words slower than  normal. 

The following options are possible exercises that students can do at home to increase reading achievement.  Most of these options can be used with either non-fiction or fiction books.  These practices usually increase student knowledge and cognition.  The exercise of reading continues to strengthen and develop brain connections that increase student literacy abilities.  These “brain muscles” should have regular exercise.

  • Keep a journal about what they have read each day or time they read.  This journal can include pictures that convey a character or passage of what they have read.
  • Write a summary of each chapter, four to eight sentences. Writing a paragraph that has a topic sentence followed by detail sentences or sentences that describe the details of the chapter, and a conclusion sentence about the chapter.
  • Write a summary of the book. This summary should include details about the beginning, middle, and end.  The amount of details that should be included in the summary will be different at each stage of the maturation process.  Students can also include details about the major characters and pictures about the different settings and characters, etc.
  • Draw a picture of your favorite character(s). Students should include four or five colors to express the character.  The process is especially helpful for younger students.  I have taught many older students who also enjoy this process. Older students should be held accountable for writing about the picture.  I often have students write a paragraph. 
  • Described the main character(s). Students might describe what they look like, what the character(s)enjoy, what they don’t like, and how the character(s) spend their time.
  • Described the setting of the story. Students might describe one setting or several settings of a novel.  Students might include pictures and written words to describe the setting of the story.  Some of the information displayed by the students may be inferred information.  This means that each written description or picture may be different, as we all have different backgrounds of knowledge. 
  • Draw a picture of the setting or favorite scene in the book.
  • Describe the problem or climax of the book. This is something that not every student can grasp, some may need discussion to fully comprehend or pinpoint the problem or climax of the book.
  • Face-time (or contact through an electronic device) a relative, classmate, or friend to describe the plot of the story, character, chapter, etc.
  • Buddy read; this can be accomplished in different formats. Younger students can read aloud to higher level siblings, older students can read aloud to younger students.  Students can read the same book, using an electronic device or a phone.
  • Read to a pet. Most students love to read to a pet.
  • Read aloud to self. This engages the hearing and well as the visual senses to process the written words.  This is especially helpful to early or struggling readers.
  • Discuss what your reading with a classmate, parent, friend, or relative. This may need to take place using an electronic device.  
  • Read with a parent. The student and parent take turns reading.  They might read either every other line of a story, read every other paragraph of the story, or read every other page of the story.  The format is usually dependent on student ability.  I prefer reading every other paragraph.
  • Develop a 3-D model of your favorite setting or part of the book.  The 3-D model can be made of play-dough, clay, wood, tin foil, beans, paper, or anything that you may have on hand.   

 

Enjoy this time to read and explore, travel through books!  

 

 

 

ILA 2018 Book Choices and the Process of Writing

The International Literacy Association (ILA) released their book choice list for 2018, during a literacy session at their 2018 annual conference in Austin, Texas.  The session featured Jeff Zentner, author of The Serpent King, which was a 2017 ILA book choice.  Mr. Zentner discussed how he wrote The Serpent King.  It was interesting to hear how he developed the theme, the characters, the plot, and actually wrote the book.  He stressed that the process of writing the book took several months.  He also stressed the need for boredom or time to think.  He shared that much of the book was written in his head during the pre-writing process before actually committing words to paper.  Mr. Zentner came up with the theme by meshing a couple of songs that he had written while playing in a band.  He allowed the characters to come alive in his head, their personality, their actions, and their verbiage.  He typed the words that flowed like a river on his cell phone in just 25 days.  Much of the typing took place during his lunch break and on the subway to and from work.  The writing process for him seemed like a hobby or a stress release from his intense position as a prosecuting attorney.  He has written two other books, Goodbye Days (2017) and Rayne Delilah Midnite Matinee (2019).

This session reminded me that as educators we should consider the following when developing writing lessons:

  • the importance of the pre-writing process or the foundation of the written passage
  • writing is a higher cognitive processing skill that needs time to process or blend and bake
  • importance of background knowledge or student’s natural environment
  • the skills needed for each genre of writing, which may be different
  • writing takes time; the time needed may be different for each student
  • the first draft usually needs editing
  • students need time to free write or practice getting words on the paper without the fear of being wrong
  • students may need to learn how to develop a topic
  • what are the requirements of this writing assignment
  • who is my target audience
  • collaboration may strengthen the writing process
  • the importance of time spent reading

ILA’s book choices for 2018 can be found at https://www.literacyworldwide.org/

Membership is not required to access the booklist.

 

 

 

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